Based on Jim Henson’s original ‘Dark Crystal’, this is a 10-part prequel series for Netflix. One of the challenges of working with puppets is that you can’t show the full body of them – there’s a puppeteer where you’d expect the legs to be. It was great to be able to wander around the amazing sets to figure out the blocking of the sequences. Every scene was storyboarded, so the drawings had to be quick and efficient…